from Salon:
Colbert's deadly performance did more than reveal, with devastating clarity, how Bush's well-oiled myth machine works. It exposed the mainstream press' pathetic collusion with an administration that has treated it -- and the truth -- with contempt from the moment it took office. Intimidated, coddled, fearful of violating propriety, the press corps that for years dutifully repeated Bush talking points was stunned and horrified when someone dared to reveal that the media emperor had no clothes. Colbert refused to play his dutiful, toothless part in the White House correspondents dinner -- an incestuous, backslapping ritual that should be retired. For that, he had to be marginalized. Voilà: "He wasn't funny."and from James Wolcott:
I saw it. I didn't find it especially funny either. It was, however, brilliant!A note about the Stephen Colbert monologue at the Correspondents' Dinner that Elisabeth Bumiller seems to have slept through face-down in her entree. No question the stint played better on TV than it did in the room with C-SPAN cutting to gowned lovelies in the audience with glaceed expressions and tuxedo'd men making with the nervous eyes, but to say he "bombed" or "stunk up the place" (Jonah Goldberg's usual elegance) is wishful thinking on behalf of the wishful thinkers on the right, who have nothing but
wishful thinking to prop them up during the day.I know what bombing looks like. It looks like Don Imus when he did a standup monologue before President and Hillary Clinton, and went over so badly that sweat broke out in rivulets down his face and in parts unseen. What triggered the perspiration cascade was a sexual innuendo about how Clinton rooted for his favorite football team by yelling, "Go baby!" at the TV, which Imus remarked was probably not the first time he had voiced such a giddyup--an allusion to Clinton's poontang exploits, if you'll pardon the expression. Imus gave such a crass performance and caused such embarrassment to himself and everybody in the room that there were calls for apologies and he was in danger of being as contaminated as Whoopie Goldberg and Ted Danson briefly were after their unfortunate blackface episode.
See, that was Colbert's mistake. He didn't slip in any smutty lines. Had he done so, his standup would have been impossible to ignore as the Fox News hotheads would have one into full outrage mode to defend the honor of Laura Bush and her virgin ears. Instead, Colbert was cool, methodical, and mercilessly ironic, not getting rattled when the audience quieted with discomfort (and resorting to self-deprecating "savers," as most comedians do), but closing in on the kill, as unsparing of the press as he was of the president. I mean no disrespect to Jon Stewart to say that in the same circumstances, he would have resorted to shtick; Colbert didn't. Apart from flubbing the water-half-empty joke about Bush's poll ratings, he was in full command of his tone, comic inflection, and line of attack. The we-are-not-amused smile Laura Bush gave him when he left the podium was a priceless tribute to the displeasure he incurred. To me, Colbert looked very relaxed after the Bushes left the room and he greeted audience members, signed autographs. And why wouldn't he be? He achieved exactly what he wanted to achieve, delivered the message he intended to deliver. Mission accomplished.
Stephen Colbert had a captive audience of precisely those responsible for the world's current discomfiture... and he made them uncomfortable. Up to the moment he took the stage, they were well fed, sufficiently liquored, and insufferably full of themselves. And he handed them a full-length mirror, with which to observe their glorious selves.
It was a catharsis. And pity -- or revile (take your pick) -- the ones who didn't "get it!"
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